andiree:

Small preview of what I’m working on for the release of Blood of Olympus….

andiree:

Small preview of what I’m working on for the release of Blood of Olympus….

I don’t have much time to be active on here anymore due to school (but totally expect a Percabeth thing coming up this week)

However, I am going to try my best to keep up with Inktober this month (I swore to myself last year on oct. 31, go figure) on my Instagram (@ingridraws), so you will find lots of art on there.

In regards to PJO stuff, even though I already pre-ordered BoO, I’m gonna force myself not to read it till Oct.16, but after that expect a lot of barf and tears via drawings (spoiler-free of course).

scurviesdisneyblog:

Snow White And The Seven Dwarfs storyboard art

scurviesdisneyblog:

Snow White And The Seven Dwarfs storyboard art

bmmn:

Whisper of the Heart | Yoshifumi Kondo | 1995

Leo and Calypso’s Garage: Auto Repair, Mechanical Monsters, and Fresh Fruits and Vegetables

Leo and Calypso’s Garage: Auto Repair, Mechanical Monsters, and Fresh Fruits and Vegetables

(Source: cloudytuesday)

kevinkevinson:

"You pull me in and I’m a little more brave/ It’s the first kiss, It’s flawless, really something, It’s fearless." Taylor Swift Art Challenge - Fearless

iamtheriordanjunior specifically requested Frazel dressed from the Princess and the Frog. Great choice! Frank is the best frog prince.


"But turn around, oh they’ve surrounded you/ It’s a showdown and nobody comes to save you now/ But you’ve got something they don’t/ Yeah you’ve got something they don’t." Taylor Swift Art Challenge - Eyes Open

"But turn around, oh they’ve surrounded you/ It’s a showdown and nobody comes to save you now/ But you’ve got something they don’t/ Yeah you’ve got something they don’t." Taylor Swift Art Challenge - Eyes Open

not-quite-normal:

I LOVE!! THESE GUYS!!!

not-quite-normal:

I LOVE!! THESE GUYS!!!

Dear Nicole: I am hoping to study at either CalArts or Gobelins, and I was wondering if you could give some tips on what it takes to get in, some insight on what it's like there, and talk about the cost? Thank you.

@Anonymous

nicole-stafford:

well you have some pretty good top choices there! I’d say out of the US art schools CalArts is the hardest to get into but compared to Gobelins it kind of seems like getting into kindergarden haha.  

For CalArts I think your portfolio focus should be in having a unique voice.  Do a lot of observational drawing of both models and things you like and show that you can turn what you see into an interesting design.  A lot of what they look for is not necessarily stellar draftsmanship but that you have interesting ideas and you put that into your work. Try and avoid trending internet style or drawings that look like something thats already been done or what you think CalArts wants and just figure out what you like.  Most of this advice is geared for if you are coming fresh out of high school like I was but if you are a 30 year old wizard then maybe you already know these things.

As far as Gobelins goes, I was selected by CalArts faculty for the exchange but from what I hear their selection process is way more intense.  It involves in-person tests that I’m still not sure I would pass today.  (i think..) The tests include, painting bgs, and animating a walk cycle from a model sheet, and animating in perspective and stuff with that bg.  They really require a prerequisite level of technique, which is why a lot of the students go to school before they get into Gobelins.  (and maybe ask someone from Gobelins this question cus they’ll probably have a better response)

In regards to cost, CalArts is to the moon expensive.  It can totally be done through loans and financial aid and selling your organs on the black market but you might as well get used to the idea that you will be saddled with debt until you are at least in your thirties.  Unless of course you are rolling in cash, which you may well be.  Gobelins on the other hand costs about a fifth of what CalArts costs yearly because I think France believes in the arts or something like that (but also Paris is rather expensive).

CalArts is a pretty neato place but it’s totally what you make it.  You can’t just slide through the program and pop out ready for the industry or even technically grounded in animation.  It really requires a level of hard work and self determination that comes from you personally.  The curriculum has its flaws and sometimes you struggle your way through bureaucratic nightmares in regards to your schedules and classes but the people you meet here will really change you and challenge you to be better and to work really really hard. And making your own film from the ground up will challenge you like nothing else and teach so much about yourself as an artist.

Hope that helped! Good luck in your educational endeavors!